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Contrasting human feelings with the Vampire's
sentimentalism
Feelings, in the non-Vampire world, are simple and unequivocal. This is
not the case in the world of Vampires, since the latter always tend to
treat any feeling as something strange, complicated and indecipherable,
besides being useless.
Being in touch with our own feelings doesn't only mean experiencing
grand passions or being easily moved, as the Vampires would have us
believe, to be better able to look down on us. It can also mean many other
things: replying with kindness to someone who is kind to us and with
gratitude to someone who has unselfishly given us something; trying to
offer opportunities to those who lack them, being tolerant toward those
who err in good faith, knowing how to perceive worth and reward it with
recognition that may be symbolic, but as real as the worth; looking inside
the human soul, knowing how to perceive signs of honesty within it, and
knowing how to behave accordingly; never hesitating for a moment to do
something to save a life and never tolerating acts of violence against
innocent victims; and many, many other things of this type.
The day we wake up without feelings, we will in fact be Vampires.
Unfortunately, our ideas on this subject are confused from childhood, to
the point that it becomes practically impossible to distinguish between
feelings and sentimentalism. Sentimentalism is an adulteration of feeling,
which tends to create concepts that drip with rhetoric precisely because
they lack content. Sentimentalism, for example, is the idealization of the
"good old days gone by", or a naive and romantic devotion to a
so-called "faith" (with a vast range of variables that may go
from attachment to a racist or ultra-nationalist concept to blind
fanaticism for a sports team's "flag"), or the mystique of
"poor me", which often conceals selfish and vampiric objectives
behind the false grimace of the pain of being a victim.
Feeling, instead, when wisely associated with the use of intelligence,
shows parents the way to make their children become free beings, or makes
a populace rebel against a tyrant and win, or produces great human
insights, be they philosophical, literary, religious or scientific. These
are all things which do not allow for surrogates. One might say that
feeling is the flying carpet of fables: thin, soft, flexible, with nothing
rigid about it, without sails or motors or mechanisms or hidden tricks,
but marvelously agile, supple and capable of transporting us - who knows
how! - up to the stars.
As we well know, the reality in which we live portends bad luck for
those "foolish" enough to stay in touch with their own feelings.
Our worst enemy is definitely the person who - Vampire or not - urges us
to become hardened, to become cunning, to put aside our scruples, to elbow
our way to success, to flatter those in power and scorn those who cannot
assure us tangible advantages. This mentality creates the worst inequities,
and sets up the conditions that turn us into Vampires or predestined
victims of Vampires. This second outcome is not at all rare. Indeed, it is
not at all certain that all those who are brought up with the precept
"be cunning" will in fact become Vampires; human beings possess
resources of resistance against the vampiric vortex which are capable of
evading all domination and evil instigation. Those who are fortunate to
possess these prodigious internal resources might not only save themselves
from a condition of vampirism, but might easily triumph over any Vampire
who might approach them. Provided, however, that they ignore the recorded
message that repeatedly tells them "deceive or you will be deceived"
and other stupidities of the kind. Even the wisest of men, in fact, if
torn between two versions of life that pull him in two opposite directions,
will yield to a state of perennial conflict and confusion, and in the best
of cases will spend his life wondering what the right thing to do is,
without ever reaching a definitive conclusion.

A sense of justice as an invincible weapon against the
Vampire
A sense of justice (that is, the key to the secret of knowing "how
to do the right thing") is the invaluable patrimony of the individual
who has not sacrificed his own feelings on the altar of a culture of
ignorance which claims to have understood everything about life. It is an
unstoppable weapon of formidable power. Learning to use this weapon means
not succumbing ever again to the Vampire, in whatever guise he may present
himself. Whoever possesses it is a little like a Jonathan Harker or an
Arthur Holmwood or an Abraham Van Helsing of the year 2000: in short, a
hero of Bram Stoker's Dracula designated by destiny to liberate the
world from the monster.
In the story Samuel Serrandi which we have cited several times, Massimo carries out an
investigation in the home of his friend Luigi Limandi to try to discover
the reasons for his mysterious suicide. When he is finally able to
reconstruct the facts and to conclude that the person morally responsible
for the death of his friend is the swindler Serrandi, he finds himself
gripped by a mysterious feeling which, welling up from deep within, gives
him no peace; a feeling which involves both affection and respect for his
deceased friend, and a just evaluation of Serrandi's inhumanity. Convinced
at first that it is hatred, he will come to realize later on that it's his
sense of justice, which he will define as "the instinct for the
preservation of the species of innocents".
Massimo began to experience a fundamental feeling that rose from the
depths. It was neither exasperation nor disdain or solidarity. Those were
news terms. Empty. They expressed nothing but the worn-out rhetoric of a
society that cannot experience feelings and so mumbles again their
manneristic counterfeits. No: what Massimo experienced in that moment was
something quite different. It was so innocent a feeling to seem devilish,
so natural to seem perverted, so human to seem bestial. It was hate. And
while the interiorized structures of the ethics, common sense, religion,
law, civil living launched their slogans of condemnation, he was nailed to
the terrible discovery that hate is not the opposite of love, but a
dramatic defensive phase to come to forgiveness, and from there to the
elusive love for the neighborhood. A neighborhood that in this case was
called Samuel Serrandi. Dr. Samuel Serrandi. With a frozen light in his
eyes, he disposed to wait. Among the potential customers of the
indispensable ‘special programs of computer publishing’ there was him
too.
[...] He had endured, supported by the mysterious feeling that at a
first moment he had called hate, but that during the last hours he had
begun to define more properly ‘instinct of self-preservation’.
Self-preservation of the species of the innocents, which perhaps was
worthwhile considering endangered like some animal species, because it too
at risk of extinction. Not only are the Serrandis in relation to the
Limandis as are the hunters with roe deer, but in the war between the
Serrandis and the Limandis, the first can enjoy a formally opposite but
substantially sympathetic audience, if not even friendly. Also for this
reason Massimo had told nobody of his discovery. Not to expose Luigi to
definitive shame that the same death of his would have sanctioned, instead
of dissolving it (he already imagined the comments of friends and
colleagues: "Well, quite stupid to get gypped in that way… He asked
for it… It’s quite like the Guinness of World Records: the most stupid
death of the century…"); but also not to transform Serrandi’s
smartness in a kind of myth, maybe negative, but myth as well in
comparison of Luigi’s idiocy; and not to even leave him the honor of
being the smart executioner of a foolish condemned man.
Thanks to his sense of justice and the fact that his feelings have
never died, Massimo, after a distressing battle of nerves, will be able to
defeat the Vampire and to denounce publicly in the columns of his
newspaper the scandalous traffic that revolves around his activities,
although he will have to encounter the ignorance and embarrassed reaction
of a society that has a lot in common with that Vampire.

Never forget that there exists a force that is superior
to the Vampire
Some of Corte's stories have in common the presence of an element
which is mysterious, unexplainable and miraculous, which unexpectedly
illuminates the scene with a supernatural light, evoking from the depths
of the soul feelings with which men have always been familiar, but which
they forget, or annul altogether, convinced of their lack of usefulness
or, worse yet, their perniciousness. These stories therefore find their
resolution in a portentous event which, although prefigured and in some
way "written" into the fabric of the incident or in the
personality of the protagonists, is carried out in a way which is
nonetheless unexpected, resulting in the salvation of the individual who
deserves being saved.
The subject, as one might guess, is a delicate one, because it assails
the personal convictions of each of us with respect to the Mystery. We
will simply point out that the stories include The
Meeting, The 1100 Belvedere, Expositio ad bestias,
passages from which have already been presented, and Dancing with Her.
We merely invite you to read them, adding that in our opinion no one on
this earth can claim to have an absolute monopoly on the Mystery, and that,
whatever one chooses to believe in, to admit that the Mystery exists in
men's lives is always a unique opportunity for human and spiritual growth,
and a way of going back to feeling humble in the face of something which
is indeed greater than us, if only for the fact that it eludes our
comprehension.
In particular Dancing with Her suggests that whatever horror may
appear before us, including the most implacable of all, Death, there is in
the universe a force that is superior to every monster, visible and
invisible, which moves among us. In the presence of that force there is no
Vampire who will not be blinded. The individual who, like the protagonist
of the story, has chosen not to become part of the band of Vampires, will
receive the greatest gift of all, that which men have been asking of their
gods for thousands of years: definitive proof that that force exists.
Mail to
vampiri@digamma.com
Anti Vampire Center
c/o digamma
22, via Accademia Tiberina
00147 Rome, Italy
Do you want to read
Mario Corte's latest story, The
meeting, in its entirety? Follow the link and you will
experience a very special encounter with an individual who knows
about devilish beings, and who not only fought them, but one
far-off day faced and defeated the most terrible Enemy of all: the
one to whom every Vampire has chosen to devote himself, under the
illusion of acquiring absolute power over others. |

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